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Do you find it at all marginalizing to be on Music With a Twist, a Columbia subsidiary for lesbian, gay, bisexual, and transgender artists?
No, I love being on a queer label. You're sitting in a room with a group of people who have all the same reference points as you, you don't have to explain anything about your identity to them, and people aren't like, "What's a tranny?" It's not about integration versus segregation; it's just a way to get the music out there.
You've said that you think being a bigger, gay woman might have held the band back from mainstream success, but do you think it's also worked to your advantage?
I never would say that it worked to our advantage, but I think it's a breath of fresh air for a lot of people. And you gotta play the game. If you can work it, then you work it no matter what. And talent transcends all those things.
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You have been known to strip onstage during live shows. Isn't there a danger that it will attract exactly the kind of attention that female musicians want to avoid?
I have a lot of things to say about that, and one of them is that it's important that the body becomes a normal thing. I don't think the rules are the same for me as they were for Courtney Love or [Bikini Kill/Le Tigre frontwoman] Kathleen Hanna, because I don't think my body was accepted in the same way. In the beginning, people were really uncomfortable with a big girl, so it was a radical political statement; and it's even more radical to not be objectified with your clothes off. Also, onstage, it's so hot we're dying. It just feels nice sometimes.
1 comment:
Kudos Beth!
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